the
rooster
project
The Rooster Project is
electronic soul, a fusion of digital technology and traditional
blues music. It's Transistor Hoodoo. The arrangements are
built exclusively from
digitally effected vocal and harmonica sounds. When performed ,
these sounds are recorded live on stage as loops to create very cool,
electronica influenced blues.
Rooted in the blues, TRP's first release Clusters and
Associations is filled with stories
of loss and urban
hardship. These
influences are clear in
the Robert Johnson inspired protagonist of “Someone
To Love” or in the moody
cover of Bo Didley’s "Who Do You Love".
While less apparent in others, like the pop-blues balad April Showers
Some History
Marty performed on television for the first time at age 18. He
played a Sonny Terry song on a national telethon. The following
year he was featured on the show Stormy
Mondayswith blues great,
Danny
Marks. By 20, Marty was
cast in the musical production Rainboworld
by Canadian rhythm and blues icon and Grammy award winner
Salome Bey. Performing along
side Jackie Richardson and
Deborah Cox, he
also blew harp and sang with Salome's touring band The Relatives.
Playing nightclubs and music festivals throughout
Canada, this band also included bassist Orin
Isaacs (Open Mike with Mike Bullard),
Washington Savage (Blaxam, The Jeff
Healey Band) and on occasion, legendary Hammond deity, Doug
Riley.
Aside
from The Rooster Project, Marty is a busy session
player for television, film,
commercials and a wide range of Canadian recording artists from folk
crooner Jory Nash, to pop idol, David Usher.
Marty's last band, Bonewagon,
played exclusively sold out shows over it's short life of two
years. Their
music held steady rotation on college radio while their video
for Ma' Song siezed the indie
spotlight for a full month on MuchMusic.
The Rooster Project is Marty's latest venture in contemporary
blues. Conceived in Halifax, TRP played the Canadian east coast
from November 2004 before relocating back in Toronto in June. The
shows are chill but seriously powerfull Audiences consistantly
reflect on the shows as a wash of sound they let pour over them.
Performances often involve a live, experimental film element that tips
the vibe over the top.
Which brings us to which brings us
to the end.
The Rooster Project is not to be missed.
Chant it as your mantra.
Play it in the lottery.
Review the CD.
Book a show.
If you have any questions, please
contact:
Marty Stelnick
416.516.4812
marty@theroosterproject.com